artesie:

Josefine Frida Pettersen

assassinationtipsforladies:

mszombi:

fussyconcussy:

a girl whos tummy is sore because she ate dairy: is a bit quiet
a guy:She was perfect, pure maddening sex, and she knew it, and she played on it, dripped it, and allowed you to suffer for it

This reminded me of an article I read years ago covering some lolita event. The reporter wrote something about how lolitas claimed lolita fashion was non-sexual, but he found it hard to believe after seeing the way they “seductively nibbled on cookies”

I don’t remember what the article was or what event it was covering, but I remember that one line because it just, like, filled me with so much rage. Like goddamn, maybe they just wanted to eat some fucking cookies, its not their fault you got a boner over it. 

“it’s not their fault you got a boner over it” is such an important statement in way too many contexts

really-veauge:

My dad saw Carl today at this used equipment shop

hotvampireadjacent:

hotvampireadjacent:

hotvampireadjacent:

my cat got out today but the moment it started raining i heard him meowing to be let in. little trouble maker

i was chillin in my room and heard a feint meow from outside and thought i was just hallucinating bc i was thinking of him but i heard it again and again and when i was downstairs i saw him cowering under the porch

literally my cat just now

Hergest Croft Gardens, Kington

vital-information:

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hayao Miyazaki

Originally posted by flori-pori

litoraltropical:

🌊 Litoral Tropical 🌊

aegyoseobb:

sapphicjaylah:

[pounds on table] niche meme niche meme niche meme